Of the 7$ 000 “El Mariachi” to last year’s nearly $ 200 million “Alita: Battle Angel” are Robert Rodriguez films with the energy of someone messing around with a camera in their backyard. The BestG “The Faculty” ) make this fun contagious and the worst (“Sin City: A Lady To Kill”) suffer from taking themselves a little too seriously, but all retain the kind of dizzying and ignoble love of the game that Hollywood tends to be the Sniffing People As soon as They Get There It’s probably no coincidence that Austin-based Rodriguez has always brought Hollywood to him – a dynamic he cemented by reintegrating his Troublemaker Studios in 2000 – and the stuff he’s been since then Has produced there, that DIY sensibility has doubled in this way, feels admirable even when the films themselves don’t work

A crazy, imaginative and extremely kid-oriented “Avengers” riff that combines big stars with special effects at the Snapchat level to give a live-action cartoon vibe to a story about conquering your own destiny on Saturday morning: ” We Can Be Heroes ”is the ultimate troublemaker film (a feeling reinforced by the fact that it’s also a standalone sequel to 2005’s The Adventures of Sharkboy and Lavagirl, which is itself a tonal offshoot of the “Spy Kids” franchise is what made Rodriguez ‘studio a legitimate force) It offers more visual wit than any superhero movie on this side of the Spider-Verse, a handful of spirited performances that only make sense as personal favors, the only iota of justice, that Han Lue could get earlier that year, and five-year-old girl named Guppy whose adorable Hulk-esque freak-outs panicked Inspire characters to pronounce the best line of dialogue of the year: “Look, she’s got shark strength!” This is the kind of thing Rodriguez was born to do, and though blatantly aimed at audiences, Peppa Pig does better As familiar as with Pepper Potts, her parents will be happy that the director of “From Dusk ‘to Dawn” is still a child at heart

“We Can Be Heroes” begins like any film should: With Christian Slater strapped to a jetpack and hovering in front of the most obvious green screen imaginable while snorting on an inhaler and that Superman Equivalent of His Universe warns (a very unexpected Boyd Holbrook as “Miracle Guy”) that Earth is about to be attacked by an armada of purple squid aliens. Cinema says: Look It up, these aliens soon prove to be the most daunting Enemies the Heroics have ever met, and the most powerful warriors on our planet are so overwhelmed that even their widowed former leader Marcus Moreno (papa-mode Pedro Pascal who has enough credibility to offset the chintzy special effects around him) breaks that Promise he made to his daughter that he would never go back to the field

But he’s also being captured, so it’s up to the superpowered kids of the Avengers – and Marcus’ seemingly powerless offspring, Missy (YaYa Gosselin) – to save the day, but they must get out of custody first! The transparently evil CEO of Vought Enterprises Jr or whatever it is called (Priyanka Chopra delivers a hammy Cruella de Vil from the 90s as a bad boss) has locked the earth’s last hopes in a classroom at headquarters and almost dared them to work together and break out from the government certainly won’t intervene and solve things: Christopher McDonald plays the apparently Trumpian President of the United States with enough brainworms to insist that every generation must save itself

The movie is youngest on the “Sky Junior High” scenes, but it is also the most entertaining.The kids’ skills are so much weird and playful than a Marvel movie could ever make, and Rodriguez leans in with a pause Surrender to this fact toMissy is of course the brain behind the operation, but it often takes a backseat to the insecure wild card (Nathan Blair) that every superpower in the world owns but is unable to control – at some point he transforms into a toaster with fresh bread

We also have Rewind (Isaiah Russell-Bailey) and his sister Fast-Forward (Akira Akbar), time-changing twins who always fight for the present, we have a girl with a telekinetic singing voice (she also acts as a walking soundtrack), a brilliant kid in a wheelchair whose muscles are too strong for his legs to support and a gothic silent girl who draws the future on her iPad like some kind of surf ninja And let’s not forget the stretchy boy who comes in handy , the five-year-old who makes paper airplanes out of water, and – my personal favorite – the constantly smiling man who is in constant slow motion If Jim is worried about disappointing his super-fast dad (Sung Kang), you wouldn’t know. Littlest, but last but not least, is Guppy (Vivien Lyra Blair), a super cute little girl who is part Baby Groot, part Jaws

Rodriguez never misses the opportunity to combine these strange characters in charmingly ridiculous ways All of them serve a more targeted message about teamwork than has ever been shown in any of the Avengers films. By the time the kids left Heroics headquarters and headed for the alien spaceship their parents are locked in, we became an artful human Staircase that is worth a time-consuming “Tenet” action and even a training montage that is set for a Kidz Bop-esque cover version of the Bowie song that gives “We Can Be Heroes” the title (hosted by a game, Adrianna Barraza , this sequence feels like it was edited together from b-roll footage of a five-year-old birthday party)

This thing not only feels like it’s made for kids, it feels like it’s made by kids, and it doesn’t take long for the “refrigerator art” graphics to become part of the charm of the movie Rodriguez still thinks like a kid and his script has the ramshackle appeal of a story he used to improvise on the playground with his friends: Ridiculous, hyperactive and exhausting. The only identifiable dimension for adults – the obligatory “Chariots of Fire” joke Made in spite of our best buddy Jim – is the intense moralization that brings it all together in the end

After using superhero tropes for 90 minutes to point out that every generation of children is more developed than their parents, Rodriguez brings things home with a revelation that could hardly be more explicit about the message they are getting Mediated: Adults encourage young people to fight among themselves rather than working together against the real enemy, and America’s future depends on its children finding a way to transform their diversity and confidence into a weapon strong enough to to defeat Republicans Sorry, shape-shifting purple squid aliens, most kids may be too young to connect the dots, but it’s never too early to cause a little trouble

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This article relates to: Film, Reviews and tagged Netflix, Reviews, Robert Rodriguez, We Can Be Heroes

We can be heroes

World news – USA – “We can be heroes” Review: Robert Rodriguez delivers a fun DIY “Avengers” for young children

Source: https://www.indiewire.com/2020/12/we-can-be-heroes-review-netflix-1234606573/